Updates gonna update and all that. Enjoy the ungrammatical Latin.
Chapter 8: The Fire In The Minds Of Men
Ubi tu Londinium pulchrum ibi ego, from spring, from hill, from river the old circles the old temples altissima flumina altissima tempora sine sole sine I watch I serve I kill for the old circles the old blood the old mysteries foetet plus ultra foetet plus ultra corrigenda-
The Centurion slips through the sewers, heading eastwards.
He has abandoned his usual, erratic pathways for the night. The forgotten lines of the holy city are unguarded; they will have to watch themselves, for now.
Pulvis tenebras et umbras Londinium pulchrum, minding the gap the gap the gap between the prince of mysteries and them who were banished a name a name cetera desunt what was its name it stinks of the old circles the old temples the old blood but it doesn’t belong not any longer dixi delenda est-
It’s been some nights since he first smelt the intruder; at first, he’d ignored the unusual, yet faintly familiar impression as being from a dream or a memory; the ancient London that lives on as an echo and a shadow of the new. But the stench endured, and the stench grew stronger.
It is hidden from me fallaces sunt rerum species ergo it flees from me ergo it fears me ergo it will run and I will catch it felix qui potuit rerum cognoscere causas it should not be here it must not be here-
The Centurion is angered - troubled - by the unwelcome presence. But with every step onwards, something in its addled mind begins to click; something he hasn’t felt truly in a very long time.
Excitement.
He’s getting closer.
*
No word.
You wait, and wait. The night passes, and a new one begins. Your peers move amongst you, as before – Argyll loitering around and joking, Fowlesworth a phantom in the corridors of the Vessel. Nobody tells you, or even hints at you, that they know what you are.
You feel different, though. You can’t deny that. When you think of the woman’s face, in the seconds before you pulled the trigger, a giddy thrill runs through you, and you feel warm. When you gaze into your mirror, you begin to convince yourself that a hint of scarlet is developing around your irises.
Whoever took the treatise, you tell yourself, must not realise its significance. It’s the only explanation. Still – you’d better work fast.
And on the third night, when Eames is away at the Palace, meeting with the Barons, as you head back out to meet with Osazema, London’s alight.
*
Brixton’s unusually crowded, and the air is filled with yelling; as you step, open-mouthed, out of the tube station, a gang of youths, their hoodies up, brush past you and dash out into the night.
On the road ahead, someone has pushed over a bin and set it alight; beyond, a mob of kids in balaclavas and face-scarves are flinging themselves at the windows of a sports store. A lot of people are milling about nearby, watching the scenes; some with disgust, some with enthusiasm. An overweight woman scuttles past, clutching bags of crisps in her coat.
They’re animals, you think. Dumb, grasping beasts, as greedy as they are stupid, only held back by fear.
Down the far end of the road, riot police appear to be gathering, their round shields held out in front of them, forming a thin line from pavement to pavement. They look nervous, shuffling forward as slowly as they can.
One of the hooded youths throws a projectile towards the line; a firework, which explodes upwards and outwards, sending golden sparks whizzing merrily over the tarmac. Ahead, a car is being smashed by two men with hammers. Nobody turns to look at you as you pass.
*
The body of an old woman has been laid across Osazema’s workbench. Her patterned dress is stained with soot; her eyes goggle comically upwards, her mouth open.
The Samedi gazes longingly over her, his rotten fingers dancing across the air above her corpse.
“You are back, daughter,” he murmurs, “and you are…different. Did you enjoy yourself?”
His fingers dart forward, and yank at the flesh at the old woman’s throat. It tears, feebly, leaving a raw red patch behind. There is little blood.
In their coops, the hens are going wild. Osazema raises the strip of flesh to their cage and they buffet and batter at one another, desperately trying to reach it.
“This one died in the fires in Tottenham,” he says, calmly, “but we were able to retrieve it before the emergency services arrived. We did not, after all, want the police to over-react.”
You stare evenly at him; his eyes refuse to meet yours.
“Did you plan all of this?” you ask him.
“Nobody,” he replies, “could have predicted that the Star Gang would have been held responsible for the death of one of Trident’s best officers. Nor that they would have responded with such force. Nor that the – admittedly inevitable – chaos caused by the gang would spread to the other ends across the capital. But…yes…when one lights a spark, one must expect fires.”
He fumbles in his pocket for a moment, and then tosses something across the room towards you. You catch it, without thinking.
In the palm of your hand rests a tiny sheet of what appears to be glass; soft, smooth, and transparent.
“There is your bug,” Osazema says, and from the same pocket he draws out a small black box. A pair of headphone dangles from it. It looks remarkably like an MP3 player. “And there is your receiver. It will record solidly for 14 hours at a time, you may recharge the batteries as you please…and it will not cause suspicion, even if you are searched.”
“I…” you begin, a little confused. “I was expecting…you know, Samedi magic…”
He chuckles, merrily, to himself, and slides the receiver across the workbench.
“We must not allow ourselves to fall behind the times,” he says. “The Nosferatu, I feel, have learnt this lesson best of all. And now, daughter, if you please, you will attend to your naughty little plans, and I will attend to mine.”
He gives you a low, stately bow; and with the same movement he lifts his cleaver from the workbench and, with great force, strikes down upon the withered chest of the old woman, just above the heart.
You don’t flinch. Dropping the cleaver, Osazema prises his fingers into the gash and begins to tear at the flesh on either side.
“Be careful walking home tonight, daughter,” he tells you, and he waggles a finger, clammy with gore, in your direction. “There is a grand and terrible beast inside each of us, and it is fitting that it should rise through us, transforming us, lifting us ever higher…but it is afraid of fire.”
*
You walk back to the Vessel through screams and laughter and shattered glass, ignored by the Kine on all sides, who continue their pointless battle for an ugly street.
Once you reach Greenwich, however, the night is quiet; a few revellers are still loitering around the pubs, and occasionally a taxi will roar down the street. You might as well be in a different city altogether.
Walking ‘home’, you think, with scorn. As if the Vessel was ever my home. As if this was where I ever wanted to be.
As you approach the church, a familiar figure staggers out of the shadows ahead, clutching a heavy plastic bag in both its arms.
“Fowlesworth!” you call.
Fowlesworth flinches, startled, at the sound of his name, but keeps his head lowered.
“Hey,” you say, catching up to him. “Do you need a hand with those?”
He hesitates, and for a moment you think he might just scuttle away into the chantry, as he so often does; but then, flittingly, like a robin reaching out for a scrap of food from the palm of a kine, he holds one of the bags out towards you.
You take it, and lift it; glancing inside as the two of you begin to walk up the steps into the church, you see a neatly folded bra, and beneath it, what appears to be a dress.
“Eames’ laundry?” you ask.
He nods. You press him;
“How often does she make you do it?”
“Once a week,” he mumbles. “Usually. She just leaves the bags outside her study, and I’m supposed to come and check every so often to see if they’re there.”
“Listen,” you tell him, “I don’t want her humiliating you like this. Next time she does it, I’ll take the dirty clothes – and once I’ve got them cleaned, I’ll give them back to you, and you can take them to her. How does that sound?”
He halts, and stares at you, his eyes going wide.
“Why?” he says, instantly.
“I told you,” you say. “I don’t like the way she treats you.”
His lower lip wobbles, curiously. He’s thinking.
“She wouldn’t like it,” he says. “If she found out.”
“If she does,” you continue, “I’ll take the blame.”
Fowlesworth frowns, as if struggling to comprehend this act of kindness.
“Thank you,” he says, at last.
“It’s nothing,” you tell him, firmly. “You should…probably take these in to her, shouldn’t you? In case anyone sees.”
Your fingers fumble, beneath the plastic handles of the bag. Pressing the bug against the back of Eames’ dress, on the outside, so that she won’t feel it when she puts it on.
And then you hand the bag to Fowlesworth, and with a desperately cheerful, hopeful smile at you, he scampers on into the church, carrying your bug along with him.
*
Sommers turns the page, gingerly, and with distaste.
HOW THE BARONS OF THE CAMARILLA DROVE LADY ANNE BOWESLEY TO HER FINAL DEATH
It cannot now be denied that a large group of Camarilla barons, including Samantha Eames, Roger Kirkbeck, Eric Wattersley, Terence Rannigan, and Weep-Not Sorley, were involved in a number of underhand and illegal attempts to drive Lady Anne out of power, including making use of the services of members of the Giovanni clan in the East End-
He turns the page again.
HOW THE TREMERE SILENCED OPPOSITION IN THE WAKE OF THE CLIVEDEN SCANDAL
Sommers keeps leafing on, through page after page of scandal and wrong-doing.
HOW THE CREATURE HOB WAS ALLOWED TO ENTER LONDON, AT THE EXPENSE OF KINDRED LIVES
The nature of the creature known as ‘Hob’ cannot be speculated on. What is certain, however, is that it conquered the mind of Baron Terence Rannigan, who began to act in its interests earlier this spring. Prince Roger Kirkbeck, fearing the power of this beast, attempted to prevent its influence spreading; but he found himself stymied by a delegation led by Samantha Eames, Rodyon Turcov and Anthony Sommers (whose sudden rise to power under the aegis of Eames must now be held as suspicious), who threatened their own Prince, in an open act of rebellion, and drove him out of the city, under the pretence that Kirkbeck himself wished to spend more time studying.
Most damning of all, once Kirkbeck had been removed from the picture, Eames, Turcov and Sommers conspired with the beast Hob, continuing Rannigan’s work, and allowing it into the city. These are the three fiends who now rule London (as only the so-called Barons know, though they refuse to admit it) and, lurking behind them, a monster whose motives are entirely unknown.
Sommers runs his hands across his face.
“Fucking hell,” he murmurs, to nobody in particular.
“We’ll be putting out a full print run within the week,” says Robert Griddle, arms folded. He smiles, thinly. “We’ve also got a man in the Nosferatu who’ll be circulating it online. Just in case anyone in the Camarilla manages to shut us down.”
“You realise,” Sommers says, looking up, “that there’s only one person in London who could have known all of this, all of the details? Eames isn’t going to let this stand. She’ll be coming for Kirkbeck.”
“And we’ll take him in,” Griddle responds. “As we take in all of the waifs and strays whose lives are ruined by the greed and the deceit of the Camarilla.”
Sommers leafs back over the pages of the pamphlet, returning to the beginning.
BETRAYERS OF OUR BLOOD: HOW THE CAMARILLA BROUGHT OUR CITY TO ITS KNEES
“There’s a reason, of course,” he murmurs, “for your letting me…see the preview screening.”
The Anarch laughs, innocently, as a child laughs.
“This is going to mean civil war, Anthony,” he says. “I’m sure you’ve already figured that out. Kindred may expect corruption from their leaders, and lies, but this Hob affair...well, it’s something different entirely. A monster in our midst. And once, you recall, when we first met – I told you I hoped you’d be on the right side, when the time came. And now…well, that time looks like it’s rapidly upon us, doesn’t it?”
His little fingers tap at the pamphlet.
“Your name can be removed from this,” he continues, “before we print. We can write you back in as an…unwilling participant. One who advised Eames and Turcov against the removal of Kirkbeck, but who was, ultimately, swept up in events. As, I’m sure, you were.”
“Get to your price, Robert,” Sommers says, in a low, dangerous growl, “and get to it quickly.”
“Denounce Eames,” Griddle responds, evenly. “Before we begin to distribute, part ways with her, and come and stand with us. I don’t expect you to turn Anarch – you’re Camarilla to your bones – but bring your resources, bring the strength you’ve gathered so ingeniously these past few months, and bring as many barons as will come.”
A) Ask Griddle to give you more time to win over the barons – then take the pamphlet to Eames and see about finding and stopping these two methods of distribution.
B) Agree to Griddle’s terms; denounce Eames, try and convince whoever you can to join your cause, and prepare for war.
C) Meet with Turcov, and suggest the possibility of denouncing Eames before the Anarchs have a chance to distribute. If he agrees, the two of you could come out of this looking like the real heroes. If he doesn’t, of course, or he tells Eames…
D) Kill Griddle, where he stands; then take the pamphlet to Eames and see about finding and stopping the rest of the Anarchs.