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KickStarter Hero-U: Rogue to Redemption - adventure-RPG from the creators of Quest for Glory

Taluntain

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That's... disturbing. In addition to the disturbing feeling that I've constantly been getting about the art of this game.

You're just digging a deeper hole for this one, MRY. :lol:
 

sstacks

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Following up on a previous post in this thread.... Corey and Lori Cole will be on the Shane Plays Geek Talk show this Saturday at 1 PM Central talking about Hero-U now that it's out in the wild. Gaming historian and YouTube interviewer Matt Barton of Matt Chat will also be joining.

If you have any questions or comments for the Coles, please post them in this thread and I'll make an effort to work them in. Let me say again that my show is not 20/20 attack journalism, it's a conversation with people I think are interesting in the geek world. I don't mind direct questions, but I'm not going to be your proxy attack baseball bat or just try to tear someone down.

That being said, I do welcome your interaction.

If you have big enough balls (no one has so far during the past 3 years...), you can call in directly to the show at 501-823-0965.

The show broadcasts live on Saturday at 1 PM Central on 101.1 FM in Little Rock, AR. You can also listen live online at http://1011fmtheanswer.com

Catch ya round!
 
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If you have any questions or comments for the Coles, please post them in this thread

Have either of you had a chance to play either Infamous Quests' Quest for Infamy or Crystal Shard Studios' Heroine's Quest? If so, what did you think of them, and were there any features present in them that you thought "Darn! I wish we'd thought of that twenty years ago!"

We're living in a highly partisan era, and, for some unfathomable reason, gaming culture has become a particularly vitriolic microcosm of that partisanship (some members of this forum, for instance, have declared a silly "Dad" joke about "Skeleton Justice Warriors" to be sufficient reason to boycott Hero-U). In view of Hero-U's launch, do you believe that there is space in the market for silly, apolitical games? Do you ever feel the temptation to insert more of your own personal politics into your work? If so how do you negotiate that tension?

In a few blog posts Corey has talked a bit about how QFGV was internally a disappointment. How closely did the final version of QFGV match up with your original vision of the game when development began? Moreover, how closely did the arc of the entire series match up to your initial concept of it when you were developing Hero's Quest/Quest for Glory 1. Obviously Wages of War was a significant departure from the initial outline -were there any other major departures, deviations, or complications along the way?


May write more if I think of them.
 
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MRY

Wormwood Studios
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It got even weirder when I realized that Lori Ann Cole has Shawn's hair color to boot. Still, I wouldn't ask about this in the interview. To me, it's an endearing part of the game -- the heart of the entire Lori/Corey saga is, I think, the commitment to embodying heroism, so it is fitting that this last game should model its protagonist on its creator; it is, after all, their baby.
Shawn.jpg
 

MRY

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Now I'm trying to find Ken Williams. But in the course of it, I discovered this one, I guess from when he was doing a Downfall impersonation?

"Herr Williams, I regret to inform you that QFG5 has only sold 200,000 copies."
"Tell me the sales figures on Mask of Eternity."
"Mask of Eternity... Mask of Eternity could not mobilize enough copies."

hqdefault.jpg

hitlerreacts.jpg
 
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V_K

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at a Nowhere near you
The Magic prof seems to bear some resemblance to Roberta Williams too. I wonder if there's any connection to the character's "benevolent racism" kind of shtick.
 

Mark Richard

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Hit the halfway point. The timer seems a bit frantic while clicking everything in sight during the initial exploration of the castle, but after the first few days everything settles down into a casual routine. Relationships and skills are meant to be built incrementally over an entire semester. I can imagine some players stressing themselves out unnecessarily in an effort to maximise their daily productivity, even though there's no virtually no pressure to do so. Hero-U has jokey fail states for foolish individual actions, but it doesn't inflict mid-game fail states for consecutive actions. It's impossible to form a death spiral over the course of several days, and you'll never find yourself in need of a save that goes back far enough to avoid calamity.
 

Merlkir

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I think the game looks fine, the only meh aspect are the animations. I've animated only a few projects in my life and I could probably do that.

The notion that finding a 2D animator was impossible is also strange. Did they mean locally perhaps?
 

Infinitron

I post news
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Codex Year of the Donut Serpent in the Staglands Dead State Divinity: Original Sin Project: Eternity Torment: Tides of Numenera Wasteland 2 Shadorwun: Hong Kong Divinity: Original Sin 2 A Beautifully Desolate Campaign Pillars of Eternity 2: Deadfire Pathfinder: Kingmaker Pathfinder: Wrath I'm very into cock and ball torture I helped put crap in Monomyth
When you factor the cut taken by B&M stores it was probably a losing venture. If you can't even cover development costs, a studio has to close, especially if in addition to not making money, a game destroys a brand's good will. If I were Sierra, I would take the combination of QFGV and KQ8 as decisive proof that the studio's flagship adventure properties could no longer be developed into viable games.

Incidentally, I realized I forgot to quote the Hero-U forum post I linked to, which itself has a fascinating bit of content:
Corey Cole said:
If we had a crystal ball during the Kickstarter to see what would happen, I'd have dumped Unity and used something like AGS or Visionaire to make the game in 2D. There would be no animated characters (maybe Shawn walking around, and that's it) since we never managed to find a strong 2D animator for the team. The game would be lovely (JP's paintings used directly for backgrounds) but completely static. I don't think it would have been as good, but we'd have saved tons of money and time.

Given that we're using Unity and could not get 2D animation to look right in the engine, we have the absolutely best game from an art viewpoint that we can make. I think that Fez and Project Zomboid (while perfectly appropriate for those projects) look terrible next to Hero-U. As do the pixellated Quest for Glory screen shots. Diablo has decent backgrounds, but our characters look better.

Oh well, to each their own. We are making Hero-U look as beautiful as we can, and we think it's pretty darn good. The magic of the game will come from the writing. This is a very text-intensive game, with the graphics serving as backdrops for conversations and interactions. Even combat has a strong text element, although it also looks awesome with the closeup 3D monsters and effects.
There are a few things I'd note here:
(1) "I'd have dumped Unity and used something like AGS or Visionaire to make the game in 2D. There would be no animated characters (maybe Shawn walking around, and that's it) since we never managed to find a strong 2D animator for the team. The game would be lovely (JP's paintings used directly for backgrounds) but completely static." The notion that for $600k you cannot make an AGS game with animated characters -- maybe an animated protagonist? -- is extraordinary. Forget all of the one-shot developers along the way (like us!): just take WEG, where Dave is able to make his beautiful games paying his animator ~$30k/year (I think that was the figure I read online at some point). I mean, this is really crazy.

(2) "Given that we're using Unity and could not get 2D animation to look right in the engine"? You can definitely make a beautifully animated 2D adventure game in Unity: https://connect.unity.com/p/games-milkmaid-of-the-milky-way

(3) "Diablo has decent backgrounds, but our characters look better." O.O

Anyway, having started my march down this road, I kind of want to write another "The Fanatic and His RPG" about Hero-U. Tentative title is "They Wanted to Be Heroes." But maybe Digital Antiquarian has already covered that ground well enough: https://www.filfre.net/2016/09/so-you-want-to-be-a-hero/

You reminded me of this thread: http://www.rpgcodex.net/forums/index.php?threads/lori-coles-history-of-adventure-games.108333/

Cole cluelessness is nothing new.
 

sstacks

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I think the game looks fine, the only meh aspect are the animations. I've animated only a few projects in my life and I could probably do that.

The notion that finding a 2D animator was impossible is also strange. Did they mean locally perhaps?

Speculating here: sometimes it's not about finding a [person with skills and experience], it's often about finding one who fits with team chemistry, has a good work ethic, is within project budget, etc. Hiring the wrong fit even if they have the skills / experuence can wreck a team.

It's not even about being a "bad person", group chemistry is unique to each group.
 

Merlkir

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I think the game looks fine, the only meh aspect are the animations. I've animated only a few projects in my life and I could probably do that.

The notion that finding a 2D animator was impossible is also strange. Did they mean locally perhaps?

Speculating here: sometimes it's not about finding a [person with skills and experience], it's often about finding one who fits with team chemistry, has a good work ethic, is within project budget, etc. Hiring the wrong fit even if they have the skills / experuence can wreck a team.

It's not even about being a "bad person", group chemistry is unique to each group.

I realize that, I helped with finding artists for A Sharp. And we definitely found some who were a great fit, a few who were ok and a few who were not a good fit. (even if it seemed like they would be)

That's why I wondered about location, because that could possibly restrict the result of such a search quite a bit. Otherwise if they were willing to cooperate remotely, I don't buy it.
 

DeepOcean

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I'm gonna get a split personality because of this game! I can't decide on whether to buy it or not.
when I saw this getting released on gog I thought it was trash bc the art reminded me of hidden object games. then I read it was made by the people who developed QfG, so I wanted to insta-buy it. now I see some of those screenshots with feminists, skeletal justice warriors and a girl (?!) with a mustache and this left such a bad impression on me. I can't make up my mind about this stupid game, what am I going to do ????
:negative:
Game has its issues but all that you mentioned are things blown up completely out of proportion, just play the game and stop torturing yourself over political crap that isn't on the game.
 

Martyr

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Game has its issues but all that you mentioned are things blown up completely out of proportion, just play the game and stop torturing yourself over political crap that isn't on the game.
I got this game yesterday, I'll start playing after the weekend ;)
 

Blackthorne

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I always wondered what it would have been like if they had designed a story/world and I had my team code and do the art... we probably could have made a decent game in AGS that would have been fun to play. In the end, I suppose, for me it's about how fun a game is. QFI has nice graphics for a 320x240 game, I feel - sure, it's more "static" than Corey may have liked, but that aesthetic works for this kind of game and often for the fan-base. I bet a lot of fans would have loved a game by them that LOOKED like QFG IV. Oh well. Personally, they're nice folks - they donated to the fundraiser for my kidney transplant, so I really appreciate that.

Hero-U is pretty fun, to me. I don't think anything will ever capture that magic that happened when QFG was first produced.


Bt
 

NotAGolfer

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So the game is fun so far. 17 days in, the story still has to pick up, it's like visiting Hogwarts without the showdowns with Voldemort ^^, but gameplay-wise it's most definitely a QfG game so I'm having fun exploring the castle and slowly unlocking new parts of it.

One thing I can't figure out is what effects that tired status has. Do abilities or skills decrease after a while when tired (because they don't drop immediately but I noticed that they drop from time to time, at least smarts and some other thing)?
Atm I don't see the drawback to using up all the time until 1 am. That German rogue class teacher will wake me up in class but it doesn't even lower my relationship standing with the guy.
So a I missing something or is my hero's status unimportant?
 
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Boleskine

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https://adventuregamers.com/articles/view/35569

Hero-U: Rogue to Redemption review
Written by Pascal Tekaia — July 20, 2018
hu-fp1__huge.jpg


The Good:
  • Really captures that Quest for Glory essence by providing a flexible narrative that incorporates lots of player agency
  • Intuitive writing rewards observant gameplay
  • Subtle guidance makes players feel very in control of how and when the narrative unfolds
  • Interesting environments realized through painstaking attention to detail
  • Side quests serve to flesh out supporting characters and develop strong relationships with them.
The Bad:
  • Combat remains fairly superficial
  • No voice work at all
  • Some repetition comes through by design.
Very good

Scoring System - Editorial Policies
Our Verdict:

The founding family of Quest for Glory has returned with an all-new unofficial entry that proves worthy of its predecessors’ legacy yet still manages to distinguish itself entirely on its own. Existing fans will be thrilled to see all the classic design staples make a return in Hero-U, while newcomers can enjoy a witty, substantial (if somewhat bloated) adventure-RPG experience.

During the golden age of adventure gaming, designers Lori and Corey Cole made a name for themselves at Sierra with the Quest for Glory series of hybrid adventure-RPGs, still fondly remembered by many to this day. Now, twenty years since the last installment in that venerable franchise and two successful Kickstarter campaigns later, the Coles have returned to the saddle with Hero-U: Rogue to Redemption, a spiritual sequel to Quest for Glory that, by and large, proves they haven’t missed a step in all this time. The game does show a few noticeable chinks in its armor from time to time, but many of these are carried over from their earlier series, so veterans will likely be expecting them.

A minor deviation from QfG is evident as soon as the game opens, in the reveal of the playable character. Traditionally, the older games centered around a hero created and customized by the player for visiting far-away lands, experiencing adventure and besting evil. Hero-U instead shifts focus to an original protagonist; here players take on the role of Shawn O’Conner, a young man who is caught by a mysterious stranger while attempting to steal an artifact in order to be accepted into his local Thieves Guild. Confronted by the stranger, Shawn is given the choice of being handed to the city guards to rot away in prison or getting a second chance by enrolling at Hero University, an academy developing latent heroic talents of youths eager to leave their mark on the world. Obviously, Shawn chooses the latter option.

Evoking a more-than-passing resemblance to something from the Harry Potter universe, Hero-U takes place in and around the eponymous academy, an ancient castle overlooking the town of Caligari, on the island of Sardonia. The unfamiliar setting is not surprising; each successive entry in the Coles’ previous series always presented a new backdrop for its narrative, though copious references to locations and creatures from throughout the Quest for Glory franchise place Sardonia within the same world as the others, while still working perfectly fine as a standalone story.

Upon reaching the school in the dead of night, Shawn is enrolled in the course for Rogues – or “Disbarred Bards” as the game prefers to call them. This time around, players have no choice in the matter of what class to play; as the irritable school caretaker Mortimer Terk points out, Shawn is too unskilled to be a Warrior, not smart or magical enough to be a Wizard, not good enough to be a Paladin, and lacking the musical or acting talent to become a Bard.

While this seems like it might be more restrictive, Hero-U still keeps the same element of gameplay flexibility that its predecessors were so well known for. Shawn is immediately given a multiple-choice aptitude test, with your responses translating into stat points assigned to a list of skills and abilities he can increase over the course of the game. This mechanic, which goes a long way toward pushing Hero-U into RPG territory, means that almost everything you do throughout the game, including simply traveling up and down stairs or sneaking quietly through the school halls, gradually furthers Shawn’s development. The daily classes Shawn attends also frequently focus on teaching and furthering his talents in a specific Rogue-ish skill, like lockpicking and disarming traps.

The title Hero-U doesn’t just describe its setting; much of the actual flow of the gameplay revolves around Shawn’s daily school life. First thing out of bed every morning, Shawn must attend Rogue class, which requires actually paying attention to a short lecture each session, with the occasional multiple-choice exam testing the content covered during lessons. As the semester progresses, Shawn is also given the chance to take an elective course – this is where players can augment their Rogue skills with those of other character classes, receiving training in magic use, brewing of potions, or construction of gadgets, just to name a few. Of course, you can simply opt out of the electives altogether, and showing up on time each day is your responsibility (an on-screen clock helps keep track of your daily duties as a student).

Though attending class sounds tedious, it represents only a brief segment of each day, and really helps deepen the game’s role-playing element without being overbearing. Still, there’s an unavoidable “daily grind” element – wake up, go to class, practice, have dinner, go to sleep. This works in favor of immersion the majority of the time, but does get slightly cumbersome considering the semester lasts for fifty days (taking roughly 30-plus hours to reach the credits). At least Shawn doesn’t have to go it alone, as a big part of being a Rogue is the relationships one forms with peers. Hero-U features a reputation system to keep track of Shawn’s social standing with classmates and school personnel, whether you want to become the teacher’s pet, romance a fellow student, or antagonize the class bully.

Apart from Shawn and the university staff, his six classmates in the Rogues course make up the entire visible school population. There are supposedly other students in other courses, but we never see them (the game cleverly explaining this by noting that Rogues prefer to keep hours disagreeable to other character classes). This concentraton on a small set of characters really fleshes them out in a more interesting way. It’s nice that they are more than simply window-dressing: they participate in class lectures, have personalities and opinions, and many of them may be hiding a secret or two that could get unraveled as the game progresses, depending on your choices of dialog and actions.

As days pass and Shawn makes discoveries around the campus, certain quests and tasks become available. Most of your classmates have a particular quest that they will play a big part in, if you choose to undertake it (or simply stumble upon it through sheer luck). Shawn himself has a vested interest in uncovering the truth about his father’s mysterious death many years ago, as well as the identity of the unknown stranger who sent him to Hero-U in the first place. Dialog (even when it’s cheekily overheard through a closed door) offers some guidance as to what plotlines are in progress, and the looming threat of the game clock certainly gives the game a greater sense of urgency. The students’ stories are only available for limited windows of time, however, and will progress with or without you taking an active role in them. Ultimately, it’s up to you to search for and follow up on clues or to let these quests pass you by. It’s Shawn’s storyline that will see the game to its conclusion; others are optional.

In my experience, a typical play session with Hero-U started with a loose end or two carried over from last time, like finding a way into a locked dungeon room or needing to earn a few lyra to buy a magical weapon from the school store. But before long, events had a way of linking from one to the next, and before I knew it a whole week of in-game time had flown by. This is due to some very smart writing. After an early-game bump where you are more or less thrown into the open-ended world without much guidance on how to proceed, the game does a great job of coaxing you into the right direction with carefully placed lines of dialog. Being observant and using common sense will usually keep at least one obvious way forward available to you at all times. In one particularly memorable moment of intuitive writing near the end, I was asked to choose who would be the best choice for Rogue of the Year. After careful consideration, I made my choice; Shawn then explained my decision in his own words, echoing each point of my thought process perfectly.
Veteran QfG fans will already know to expect this, but Hero-U is absolutely stuffed with puns. Many, many items in the environment can be examined and interacted with, often to no result other than unique flavor peppered with wordplay. On one hand, the amount of unique text responses – there’s no voice acting at all in the game – are a testament to how much effort the writers took to make examining everything worth your while. On the other hand, many players will likely get their fill of the constant barrage of puns and simply stop clicking on every single crate, barrel, pile of debris, and wall sconce.

As cleverly written as the script can be, the narrative does occasionally suffer from some pacing letdowns. The aforementioned early moments may turn some players off, as it does take some time to get one’s bearings in becoming familiarized with the setting and its cast of characters. I also found a second lull occurring near the game’s end, when it seemed for a while that there were few crucial things for me to do with my days until the game clock caused the endgame to commence. Perhaps there was a side quest that was going on parallel to me that I simply missed some prerequisite steps for, but either way I ended up playing through a suspiciously humdrum couple of days just when the momentum should have really been building.

Fortunately, for the most part being a student at Hero-U makes for an interesting gameplay experience. Completing assigned homework, reading books to piece together a bit of the game’s lore, stumbling upon haunted objects and secret passages, even researching and writing a term paper are surprisingly engaging – part of what pulls you along, wanting to do “just one more” thing. But while these school-life segments have a charm all their own, dungeon crawling turns out to be an often gripping and thrilling experience as well. Part of the credit here can easily be attributed to the dungeon designs, constructed with a sense of purpose, to push along an optional narrative branch or provide a compelling sense of discovery. There are very few times that heading into a dungeon feels like a haphazard experience or ends up as anything less than worthwhile.

Navigating and surviving the cellars, caves, and catacombs relies more on properly-leveled skills than wits. Being able to unlock the way forward or grapple across a chasm is a matter of having raised the associated stat to a certain threshold. Roadblocks that depend more on player ingenuity do exist as well, typically woven into the normal flow of the game rather than interrupting it. For example, there is a treasure map that tells of hidden riches in the sprawling sea caves, but following the map and navigating the labyrinthine maze of caverns becomes another puzzle in and of itself. With a bit of outside-the-box thinking, even boss fights can be creatively circumvented and won without resorting to violence. A few traditional puzzles also make an appearance, but these truly are in the minority and are actually one of the weaker aspects of the game (of the two that come to mind, I was able to brute force one that I missed the in-game clues for, and the other solved itself – probably an unfixed bug).

Not all fighting can easily be avoided, as delving into the dungeons and catacombs surrounding the university comes with some basic hack-and-slash combat. The battle system in QfG was never something to write home about, and sadly that hasn’t changed much here, though it is perhaps a bit more deliberate than in some previous entries. The entire game is presented from a classic isometric RPG perspective, so when an enemy approaches Shawn (or he gets the drop on it by sneaking), a few combat buttons simply pop up on the screen. Battles are turn-based, meaning each combatant can move and perform an action once per turn. However, this often just means hitting the attack button, as Shawn’s movement is pretty limited and staying out of range isn’t an option unless an item is used to hold enemies in place. It’s possible to escape battle altogether, though this drains most of Shawn’s health and advances the game clock even as it returns him to the dungeon’s entrance, effectively ending your adventuring for the day.

Taking elective courses can give Shawn some much-needed additional options during combat, such as magic spells, giving him at least some edge over his foes. But when the chips are down, a battle may just devolve into back-and-forth swipes until one side falls. Considering the game’s emphasis that Rogues should avoid danger when possible, it makes sense that fighting even a pair of enemies is risky, and three or more can easily mean a huge drain on resources and health, or simply a quick defeat, forfeiting all items used during combat and kicking you back to the infirmary. For those times when danger is unavoidable, a handy save-anywhere feature helps to minimize the amount of items and progress lost this way.

In terms of graphical presentation, Hero-U forges ahead of its predecessors, at least a bit. It’s by no means an over-the-top visual marvel, but the colorful locations are detailed, feel lived-in, and are lovingly hand-crafted, stuffed full of ornamental wall decorations, furniture, and other points of interest. Each character also gets his or her own close-up portrait to go with any on-screen text. Shawn and a few others have received the full animation treatment, while the majority of the cast simply has static places where they appear at certain points throughout the day. There isn’t much more in terms of animation – no cinematics, for example – but many important moments are celebrated with beautifully drawn still scenes. These, in addition to being able to see a full-screen close-up of every portrait in the castle, add an impressive and often gorgeous touch of class to the visuals.

The lack of voice-over is unfortunate, as the last few games of the Quest for Glory series were fully voiced, although it's unsurprising for an indie developer with a limited budget. However, Hero-U makes up for this in no small part with a very well-composed musical score. There are distinct themes for various sections of the castle and its dungeons, which manage to keep from being overwhelming while still adding important elements of mystery and magical adventure to much of the game.

Hero-U: Rogue to Redemption accomplishes something many revivals of fan favorites struggle to do: it manages to deliver an experience as faithful and reverential to the Coles’ beloved original series as possible, including the characteristic niggles series veterans already know to expect, like an abundance of verbal puns, slow combat, and a bit of an everyday grind. This should win the favor of old-school Quest for Glory fans, yet despite its many nods to the Sierra classics, this game absolutely stands on its own merits, with clever writing that manages to pull players along its somewhat open-ended narrative, possibly even without them realizing it. Those new to the series will find a well-designed and inviting experience here, so if this sounds like your kind of RPG-adventure hybrid, then pack your suitcase and enroll for a semester abroad at Hero-U.
 

hello friend

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I'm on an actual spaceship. No joke.
I always wondered what it would have been like if they had designed a story/world and I had my team code and do the art... we probably could have made a decent game in AGS that would have been fun to play. In the end, I suppose, for me it's about how fun a game is. QFI has nice graphics for a 320x240 game, I feel - sure, it's more "static" than Corey may have liked, but that aesthetic works for this kind of game and often for the fan-base. I bet a lot of fans would have loved a game by them that LOOKED like QFG IV. Oh well. Personally, they're nice folks - they donated to the fundraiser for my kidney transplant, so I really appreciate that.

Hero-U is pretty fun, to me. I don't think anything will ever capture that magic that happened when QFG was first produced.


Bt
Contact them for collab on next game.
 

Tramboi

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I think they want something more "ambitious".
Even if they proved that they have a hard time doing project management on a game, and they seem a bit clueless regarding medium scale programming, they do deserve (and need) a good producer who would make this happen.
 
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MRY

Wormwood Studios
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California
I always wondered what it would have been like if they had designed a story/world and I had my team code and do the art... we probably could have made a decent game in AGS that would have been fun to play. In the end, I suppose, for me it's about how fun a game is. QFI has nice graphics for a 320x240 game, I feel - sure, it's more "static" than Corey may have liked, but that aesthetic works for this kind of game and often for the fan-base. I bet a lot of fans would have loved a game by them that LOOKED like QFG IV. Oh well. Personally, they're nice folks - they donated to the fundraiser for my kidney transplant, so I really appreciate that.

Hero-U is pretty fun, to me. I don't think anything will ever capture that magic that happened when QFG was first produced.


Bt
Contact them for collab on next game.
It's clear that the Coles don't want to make a low-fi retro QFG-like. They said as much in the posts I quoted above. It kind of makes sense: they're 65 and have already been to the top of that mountain several times, when it was cutting edge. In some ways, the QFG games were always about pushing technological boundaries -- let's not forget that Hero's Quest was described as a revolutionary "3D Animated Fantasy Roleplaying Game (tm)":
217204-hero-s-quest-so-you-want-to-be-a-hero-amiga-front-cover.jpg

In fact, the marketing material shows a powerful consistency from 30 years ago till today. As I quoted above, the prospect of having lots of animation, high res graphics, and simulationist stuff was why they went the Unity route. And back in days of yore: "more animation than ever," "high resolution graphics," and "interact with the environment as realistically as possible."
217205-hero-s-quest-so-you-want-to-be-a-hero-amiga-back-cover.jpg

I would dream of making a game like EGA QFG -- though I don't have close to the Coles' design skill, and thus couldn't deliver on it. But they already did that. There's nothing more for them there. Maybe a VR title like The Mage's Tale or some kind of open-world RPG like Skyrim would be a draw, but I doubt doing a 320x200 adventure with a bunch of (super talented) amateurs holds any appeal.

[EDIT]

Mobygames provides this gem, which I saw while finding the box art:
From Hero's Quest I Hint Book: You may be interested to know what goes into a game like Hero's Quest I: So You Want To Be A Hero. Development took over a year, with up to four programmers and four artists, a musician, and a designer-director.

Hero's Quest I contains:

  • 111,000 lines of source code (well, so 30,000 of them are blank!)
  • 535,000 bytes of background pictures
  • 1,560,000 bytes of animation
  • 1,980,000 bytes of program code
  • 375,000 characters of text messages
  • 314,000 bytes of music and sound effects and over 200,000 bytes of compiled system code
And you thought this was easy!
 

Mustawd

Guest
Jesus, that response that MRY posted.

“Hey we’re not the onlu ones going crazy overbudget. Look at Dblfine”

And like Doublefine they deserve as much criticism. This project has been a disaster from the start. I get that they are passionate, but that’s just not good enough if you wanna ship.

Also, wtf is their argument about the price? The criticisms on the price are perfectly valid. You’re competing in a 2018 market. Not some made up ideal where creatives who have zero project mgt skills get paid what they think they’d like to get paid.

These two I’m sure are super nice ppl and mean well. Let’s face it though. They don’t have a clue.
 

MRY

Wormwood Studios
Developer
Joined
Aug 15, 2012
Messages
5,703
Location
California
Well, they're 60-70-year-old pensioners who came out of a 20-year retirement to try to make a spiritual successor to a DOS game primarily sold in boxes at stores that no longer exist. Of course they don't understand online collaborative game development, Unity, Steam, or Kickstarter. This is a scenario that by all rights should have ended in abject catastrophe, but instead yielded a game that almost everyone -- even on the jaded Codex -- seems to be smitten by. And it only got there because the Coles mortgaged their home (and, through Kickstarter, mortgaged their first 6,000 sales) and lived off cat food or whatever for five years.

They are basically a real-life E*Trade ad:


Only at the end of it, they delivered. They did ship a game. It doesn't matter that it looks like they hired Jeff Vogel's character portraitist to do paint overs of Lori Ann Cole for every character or that the game has no voice acting or that they forgot to send out press copies. They made the darn game and people love it.
 

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